"Invisible Architecture and the Road Home"

"My childhood was full of confusions like these, almost willfully acquired, since I would never admit when I didn't understand something. Not just because I was afraid of looking stupid but because the natural order of things appeared to me to include dusty obscurities, intended to remain unclear."

Suzanne Berne, The Ghost at the Table

"I-77 / Lake Norman"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

I.

I travel. I travel a lot. My excursions are, of course (and as is in keeping with the very nature of the course), bracketed by the leaving and the returning. You may find it ridiculous that I would even mention what appears to be such an obvious notion. But as I spiral away from my home, towards some destination (some destination that most certainly involves - at the very least - both the allure and the anxiety associated with the unknown), I feel the need to remain aware of the spiraling back. Such is the folding back upon that gives me my greatest sense of Home.

"Magnolias / Wendover & Randolph #6"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

II.

I move. I have moved a lot. And while I have been an active (some might say driven or possessed or even obsessive) participant in the development and construction of each of the houses in which I have resided, the actualized physicality is a very small part of the defining qualities of Home (I would be remiss if I did not recognize here the amazing skill with which my wife Sheila, transforms each new domicile from a Shell of Possibilities into Our Home). Yes, plaster, brick and wood are components. But so are safety, comfort, love, memories of all types: envelopment.

"#9, Canopy Portal"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

III.

But how many times do I breeze through the heart and hearth of my Home as if it were some arbitrary pasture along the Pennsylvania interstate? Familiar in content, but not fully explored?
How often do I live in my Home as if I were a child, or a guest, or a scripted actor?

Scientists speculate that we only know about a mere fraction of the Matter comprising the Universe (and given the transient nature of knowledge itself as it traverses and unravels the strings and mysteries of History and The Future, even that understanding of Matter may be circumspect). Such are my self imposed limitations in the understanding of Home.

As I build and re-build, I aspire to consider the distinctions between habit and ritual.
In this expanded moment, there is the road Home.

Press Arrow to Play Video.

"Higgs boson Luminosity"© 2009
Video Collage
From "The Systemic Amazement Factorial"©

"It's like art. Is art useless? Yes and no. The concepts [of particle physics] are so beautiful in their simplicity. And they answer most fundamental questions. Physics and art are two forms of the same wish of human intuition, to understand nature."

Fabiola Gianotti - quoted in The Genesis 2.0 Project / Vanity Fair Jan. 2010

What's back in your little town, human?

Next: "Painting My Home"

"Invisible Architecture and the Lure of the Moon"

"Moon Labyrinth"© 2009

from The Spidey-Hole Series / Autumn Missed Subset


"I thought only of the Earth. It was the Earth that caused each of us to be that someone he was rather than someone else: up there, wrested from the Earth, it was as if I were no longer that I, nor she that She, for me. I was eager to return to the Earth, and I trembled at the fear of having lost it. The fulfillment of my dream of love had lasted only that instant when we had been united, spinning between Earth and Moon; torn from its earthly soil, my love now knew only the heart-rending nostalgia for what it lacked: a where, a surrounding, a before, an after.
Italo Calvino
Cosmicomics / The Distance of the Moon (1965)

"#8, Blue Moon"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

I have studied the speculative history of the ancient labyrinth, and its close connection to the moon, the myths of the moon, and to rituals related to the moon. Fascinating stuff. Made more fascinating because of the thought-filled conjecture surrounding the study. So much History lost beneath the dust and sea. So much History twisted and knotted. For example, the fourteen turns of the Cretan Labyrinth are supposedly connected to the fourteen phases of the astrological moon cycle. The arguments are compelling and the evidence rich and dense. But who's to say?

Right in this moment, however, I am more interested in my more localized notions of the phrases of the moon: moments of awareness where I bask completely in the light, times of tumbling headlong into the abyss of darkness. I turn and am illuminated, but only as part of me is exposed to the void. I turn again and am caught between the fullness of being and the uncertainty of the new. Waxing and waning.
Apogee and perigee.

For (you see) whatever History dictates, whatever fate portends, for however the tides pull - this,
this is my walk.

Press Arrow to Play Video.

"La Luna"© 2009
Video Collage
From "The Systemic Amazement Factorial"©

"Storytelling reveals meaning without committing the error of defining it."

Hannah Arendt

Please enjoy this musical interlude: for all my Huckleberry friends...........and me.

Next: "Invisible Architecture and the Road Home".

"Invisible Architecture and the Topology of the Labyrinth"

"Delivering You (Hair Ride)"© 2008
From "The Systemic Amazement Factorial"©

“The only thing to do,” I gulp, “is to put this lantern shinin right in front of your feet, kiddo, and follow that lantern and make sure it’s shinin on the road rut and pray that it’s shinin on ground that’s gonna be there when it’s shining,”
Jack Kerouac Big Sur (1962)

"Water Labyrinth #10"© 2009

from The Spidey-Hole Series / Autumn Missed Subset

The mystery of the Labyrinth has been primarily absorbed within three beautiful and meaningful interpretations. During the era of the Great Cathedrals, walking the Labyrinth became a substitute for a pilgrimage to the Holy Lands. When re-discovered by Lauren Artress and other prescient advocates, the Labyrinth journey became a contemplative one; impressing upon its acolytes to leave their concerns in the center, and so cleansed, return (renewed) to the 'real world'. In recent years, the power of the Labyrinth has been embraced by the Medical Community for its recognized contribution to Healing.

"Spider Labyrinth # 9"© 2009

from The Spidey-Hole Series / Autumn Missed Subset

After several years of studying the attached and recognized symbolism of the Labyrinth. After several years of laying out and drawing, painting and making labyrinths, I began to access (what I think of as) the Native Significance of the Labyrinth as an appropriate model for life action. To begin to consider the Labyrinth as going beyond its accepted dimensionality and recognize its axis as well as its axes embraces issues of topology. As time is included then, the Labyrinth becomes a marvelous and expansive tool. Within its patterning exists a folding back upon - an opportunity to review what we have once experienced even as it laps over and around that which we are doing and that which we are to do.

"Disambiguation, 12-06-09"© 2009

Brilliant Notebook ©Project

In what has become a conventional interpretation, a sojourner enters the Labyrinth from the outside, and winds towards the center. I am coming to an understanding that we, each of us, start in the middle. We find our way outwards along the most circuitous path, which becomes our personal and individual story. The gift of the Labyrinth is in the knowledge that inscribes our ability to find our way back into the center. Replenished, we may then get back to busyness. It is symbolic, for sure. But more:
it is in the webs of spiders, the limbed Gestalt of the Water Oaks. Laugh lines, snail shells. It may be regenerative. It may be comfort. It may be part of grieving or of healing. In this moment, let us consider it Home. And fold back across its most available and receptive threshold.

"Analysis Situs"© 2009

Video Collage

From "The Systemic Amazement Factorial"©

Fascinating article here: "The Circular Logic of the Universe"
Next: Invisible Architecture and the Lure of the Moon.

"....part of you pours out of me in these lines from time to time"

"from her little room (invisible architecture of Eudora Welty)"

Contributed by: Carrie Schulz, MArch.

"The events in our lives happen in a sequence in time,
but in their significance to ourselves they find their own order,
the continuous thread of revelation."
-Eudora Welty

Appropriate(d) Detail circa 1989.


I have had to perform exercises in mapping.
Some for classes. Some for getting lost. Some for telling a story.
All involve sequencing.

Concrete Contrast, Philadelphia 2009




Does a map start with a point?
You are here:
in the center.

Grace Barrier, Philadelphia 2009

Or does a map start with a limit?
This is the edge:

Concrete Landscape, Philadelphia 2009

As you plot points, events, places,
what happens to the space between?
Do you remember the coast when you visit the mountains?


Appropriate(d) Detail circa 1988.


Do you take new surveys to verify old measurements?

Appropriate(d) Detail circa 1989.



(I went down to the lake, then, and gathered old details for new memories.)

Appropriate(d) Detail circa 1989.




Does a map tell you the past?
Do you capture a place, a memory?
Or does it give you a choice to venture out again,
and give cause for a new map?

Appropriate(d) Detail circa 1988.




(I walked a bag of lemons from one house to another: they brought out the light.)

Kingsport, TN 2009

Ten, still:
"All serious daring starts from within"
- Eudora Welty

Many thanks to Carrie Schulz for her thoughtful posting.
Empathinc. is currently exploring issues of (Being) in Space.
Next: "Invisible Architecture and the Topology of the Labyrinth"

"Invisible Architecture and the Drip Line Cathedral"

"I don't really know how to explain it, but when we move, we are in a way de-structured by our movement toward something: we are both here and at the same time not here because we're already in the process of going elsewhere, if you see what I mean."

Muriel Barbery
The Elegance of the Hedgehog

"I-77, Exit 33 / Sumac"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

In my backyard, the Willow Oaks knot their limbs into boughed Basilicas. Shallow beneath the surface (hemmed in by asphalt and gravel), their roots reach out parallel to the drip line of the limbs above. A curtain of nether space defines the parameters: issuing fair warnings to
those who deign enter this implied Cathedral.

I should remove my shoes.

"Hybrid Maple / E. 5th and Monroe Rd."© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

Caromming from portal to portal (from project to project), I skitter across the broken pavement of this, My Country. In my expansive backyard, the personalized drip line
becomes inclusive of destination, return and the vastness between.
Does freedom hitch a ride in this sufeit of available and abundant opportunity?

Only as I part the scrim that is my practiced format of being.

Let us all risk stepping barefooted across the established demarcations
of what has become known to us. That's just good living.

"Laika in Orbit"

Video Collage

From "The Systemic Amazement Factorial"©

1. Escape gravity.
2. Eject boosters.
3. Release.
4. Repeat as necessary.

NEXT: "from her little room" - guest commentator carrie schulz m.arch

"Invisible Architecture Deux (at Robby)"

So you see, once a person drops the scales of prejudiced certainty and doubts appear, there is no telling how far a heart can open.
Louise Erdrich, Four Souls 2004

Albrecht Durer
The Painter's Manuel, 1525

It is given that the glasses maker, Lippershey was the inventor of the first "Dutch Perspective Glass". Galileo improved lens grinding technology to give his "Perspicullium" increased clarity and magnifying capabilities, and turned it towards the Heavens.
Not being particularly adept, nor classically trained, in the Science of Optics, I have inadvertently spent my entire career looking through (what has subtly proven to be) the wrong end of the Telescope. My notes (however meticulous in constancy and ritual) have chronicled a particular inverted self-sensibility, and kept me cloistered in a construction of my own circumspect interiority.
In layman's terms, my perspective then, has been turned inward.


"#7, Impatiens Waiting"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

The Stars however, have had an excellent view of my retinal synapses and have toiled for many a year to chart the comings and goings of what they have simplistically termed my "visual discourse". The results of said research has been exhaustively relayed back to me
in the form of what I persist in calling "Dreams".
Unshackled and light, these purveyors of stellar rectitude find fascination in the rigidity of my defining Nature.




"Particle Accelerator" © 2009

Random Video

From "The Systemic Amazement Factorial"©

I intuit their jolly dance along the reaches of what (I - perhaps- mistakenly) refer to as a Chaotic Universe, horrified that such a peripatetic existence (both wave and particle, indeed) might conceivably imbue my own binary certitude with an inordinate doubt. No stranger to risk, I yet remain inconsolable in their practiced insistence that while the infinite may render me discomforted, it is (in all likelihood, according to the Stars) the finite that I fear.

"Mary Go Round" 2009
From "The Systemic Amazement Factorial"©
Call Your Mother, regardless of what plane of reality she occupies.
Make a list defining your family of choice. Build bridges. Tear down dams and
return that which has been inundated to it's Native Nomennature.


"All the changes will be, by the time it gets dark."

Next week: "Invisible Architecture and the Drip Line Cathedral"

"Invisible Architecture /( to Carrie)"

34

Early spring. Now the bitter gourd

puts forth its sharp-tasting leaves.

The water crossing's too deep to ford

the current cruelly strong.

When it was shallow,

you could lift your skirts and cross it.

Songs of Bei

"#5 Fixed Moment"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©

In our struggle to make our way home, we encounter many obstacles. Some of these are physical: rivers, canyons, mountains, sickness, families of origin, cultural privilege.
Others are more abstract: valleys of esteem, peaks of ego, projections of passage.




"A Wake"
Random Video 2009
Systemic Amazement Factorial©


We are more than our perceived histories. We are more than our the patterns of our helixed DNA. Our ancestor's concepts of the future are not the constructs of our present; we do have to not fall victim in the hallways of predilection.

"#6 Time Lapse"© 2009
"Autumn Missed Subset"
from the Convenient Non-locality Series©


We get to flow. Around and through. The stone does not get to decide if it may impact the current. The pattern of the flow decides the path.
This is the method of construction that takes form in the draw:
Invisible Architecture




October 27, 1954.
An advanced society implements a wealth of information to construct useful and beautiful places to gather.
"A Place for Everyone to be Happy, Regardless of Race or Creed."



Will your eyes be closed or open?

Next week: Invisible Architecture Deux