"Call and Response: Stevin Wilson"

In another moment down went Alice after it,
never once considering how in the world she was to get out again.
Lewis Carroll, Alice's Adventures in Wonderland

THE CALL: send 2-4 pieces of evidence.
It could be images of your work, work you like,
things you find interesting.

STEVIN WILSON'S RESPONSE:

hey tom. not sure of "format" correctness, but wrote a little whimsical chunk about my choices: __________________________________________________ this morning, while still separating my blurred psyche from last night's dreamland, i began sipping my coffee and contemplating this task. while a fairly basic request on the face, when you begin rummaging through your heart and fond memories, complexities may arise. i suppose, in part, that is why these 4 "things" sprung to mind. there's something close to magical about the ability to capture those things that go on in all of our heads, but rarely manifest in waking life, whether its a simple feeling, a connecting set of images or a more enveloping overall experience. whether its a longing fantasy or a recurring, disturbing nightmare. these things seem to somehow always insist on being just out of reach; seen but not touched. and so these are a few people i feel, throughout my life, have always been able to not only grab hold, but to then wrangle, arrange and regurgitate that which most feel ever eluded by. connect at: https://www.facebook.com/pages/ShamGrammar/87454806804
high-brow lo-fi musician, chickenscratch wordsmith, and proud empathinc-er. _________________________________________________
lemme know that this all makes sense, links correctly, etc. and thanks again for the invitation to interact. i always enjoy contributing, and self is the easiest and most challenging subject, one in the same.

Editor's note: highlighted, underlined phrases take you to other links,
and interesting info!

"David & Goliath"© 2009 MEAR ONE
Mear One

Tom Waits (more specifically "Frank's Wild Years")

"The Work of Director Michel Gondry - Trailer"
Michel Gondry

"The Cocktail Party"
Max Dalton

Tomschulzartist responds: So, yeah maybe it's about bein' cool. Like Pythagoras was cool, cause he like, worked out the angles, and Hildegard of Bingen was cool cause she worked out all the angels. Copernicus was cool. Galileo paid attention. And that's cool. Like as in what are the relationships of the planets? How do you exist in a system? Family. Friends. Networks.
Shoot.
So, you do the ramificating, and me? I'm interpolating.
Conjugating, verbalizing - moving words is tantalizing. Break a mirror and shards you're seein'. But live those shards, and friend you're bein', a broken life that's full of strife, and Davey, "Who's that freein'?" Sling your stone at the confluence of power and dude, then it ain't the hour - for that shit be comin' down. (musical interlude, fade to black)

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Stevin, for Responding to the Call.
The "format" correctness patrol will send a citation. Peace, Tom.

SPECIAL BONUS ROUND! IF YOU KNOW TWENTY FIVE PEOPLE,
YOU CAN MAKE MONEY WATCHING THIS VIDEO AT HOME!

"Call and Response: Artist Carrie Schulz."

Your own ideas are sane and rational,
but this is my unconscious
you’re trying to use, not my rational mind. . . .
You’re handling something outside of reason.
You’re trying to reach progressive, humanitarian goals with
a tool that isn’t suited for the job.
Ursula K. LeQuin, The Lathe of Heaven, 1971

THE CALL: send 2-4 pieces of evidence.
It could be images of your work, work you like,
things you find interesting.

CARRIE SCHULZ' RESPONSE:

"Happy Tuesday #1"

I wrote this, but where to cash?
(Editor's note: we will gladly endorse this.)

"Happy Tuesday 2"

Happy ____day! Presto. Sometimes I see wonder in the daily.
Other times I just wonder.

"Happy part C"

Rushing is the new zen.
Really, I'd stay and chat but I'm off to learn how to relax.



"No Title"

Pink is the new black. Or, what am I looking for?

"On Space and Being":
A brief interview with Carrie Schulz, by Tomschulzartist:

TSA: Edditington first 'proved' the theory of relativity by viewing a total solar eclipse and taking pictures. It was the actual 'blocking' that provided the insight. Can you comment on the convoluted paths of discovery?
CRS: la la la precedent research la la la baron von haussmann chops up medieval paris la la la cholera outbreaks la la la olfactory revolution la la la people start closing the door to the bathroom la la la
TSA: Brilliant!
CRS: Brilliance is elusive right now. Perhaps just around the corner or hiding under my desk?
TSA: So brilliance is sometimes elusive? And yet, it is always just around the corner. Or better still, is being bent gravitationally so that you must look perhaps peripherally? How do you see this as applicable in the "big picture".
CRS: Pack the truck. Composition. Present a project. Composition. Write a paper / composition. Right. Exit strategy. Evaluate all pieces. Visualize it all fitting. Edit. Load shift load.
TWA: Then, we don't see the writing on the wall cause we expect another language, so that is what we see? Then how do we translate that language and what would our coping strategies be?
CRS: There is this part of me that just wants to draw, but it is cool because the questions are about interstitial spaces and times, so i think I can delve into how we undermine our current urbanity to find new ways of being dense.
TSA: How do you know if the endeavor is worthwhile when you are bucking up against prevailing models? Is it change to polish up the apple and call it a pear?
CRS: Isn't that what we are attempting to do? Allow thoughts and feelings to come forward into fruition without even knowing what that means or how to do it?
Every seed in every apple has the potential to make a new type of apple (I learned that at the farm market) still related to the model, but new, an offshoot, a trajectory, a wave or ripple moving embarking, crossing paths.
TWA: It is my observation that you live into change as much as any one I know. It isn't work ethic so much as desire. And the drive to actualize that desire into a reality. It's sculpture on the most realistic level.
CRS: I need to build a quiet zone around myself so I can get really loud!
TWS:We tend to forget that the space between the points of loci are chock a block full of information and that we are not passing through it all, unscathed. Is that the way we troll for knowledge?
CRS: I feel so completely different and yet so much more some semblance of self I always was. Known and unknown all at once, and I think if I can handle it staying in flux, I can be informed and shifting all at once. If Corbusier is Modernism, and Venturi is Postmodernism (have you read Complexity and Contradiction?) - where is the text for our expanding moment? Hope all is well in the abstractly concrete world.
TWA: Thanks, Carrie.

Carrie Schulz, currently a designer at LTL Architects, has been known to jump off boulders into the icy mountain waters, regardless of their depths.

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Carrie, for Responding to the Call.
By the way, did you know that Leonora Carrington was born on April 6, 1917? Coincidence? Or Continuity?
Hope all is well in your concretely abstract world. Tom.

We may have to learn that the infinite whirl of death and birth, out of which we cannot escape, is of our own creation, of our own seeking.
Lafcadio Hearn, "Out of the East", 1895

"Call and Response: Isaac Schulz."

To understand what I really am at this moment, I need sincerity and humility, and an unmasked exposure that I do not know. This would mean to refuse nothing, exclude nothing and enter the experience of discovering what I think, what I sense, what I wish,
all at this very moment.”
Jeanne de Salzmann

THE CALL: send 2-4 pieces of evidence.
It could be images of your work, work you like,
things you find interesting.

ISAAC SCHULZ' RESPONSE:

Isaac Schulz 5:08am Nov 6
trying to think of four things i like is hard for me

Tom Schulz 6:21am Nov 6
try four things of interest. Try four things that you don't like. Try four random things. Evidence.

Date: November 8, 2011 7:04:51 PM EST
To: tomschulzartist@gmail.com
Four things of interest have been sent.

This video interested me yesterday.





"I haven’t spent thousands of hours on the streets creating a name
for it to be used as some bullshit 'charity'."
read interview here.




Three: Shibuya Wildcats
follow blog here




Number Four: Me:

Tomschulzartist responds: My Grandmother lived to be just shy of 105. She would be furious at me for this disclosing indiscretion. I used to marvel at all the technological and cultural landmarks that occurred during her lifetime. But that's chump change compared to the speed of change that artist Isaac Schulz lives within and works into.

Currently based in Tokyo, Schulz chews through information like a vacationer at a seafood buffet - a hunter gatherer on aesthetic steroids. I find it intriguing that he can find more things of interest than things he likes. And one wonders if it is interesting yesterday, is it still interesting today? This is not to say that I believe information is disposable for Isaac. It's a Lego, a microchip, a structural component, a layer of paint.

What I see in these 'four things of interest' is a declarative statement regarding the significance of self. A responsible self that recognizes the essential creativity involved in Being.

It's like hearing. Really hearing, when Rilke says that, "...the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”

And then that's exactly what you set about doing.

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Isaac, for Responding to the Call.
Yo, Tom.

"Call and Response: Jane Hudson."

“I don’t experience life in a linear fashion, in any kind of continuum.
It’s moment, moment, moment, moment.”
Amy Hempel

THE CALL: send 2-4 pieces of evidence.
It could be images of your work, work you like,
things you find interesting.

JANE HUDSON'S RESPONSE:

Hi Tom...I'm responding to your request for four things of interest for your blog.

Here's the first, which is from Cricket Creek Farm, a local CSA, that is part of a very active locavore movement in these parts. Sustainable farming/eating/economy being at issue.
I'll send other items under separate emails.
Cheers, Jane

Tom...here's one of my pictures of a house in my neighborhood. Clearly this building is from another era, cottage living. Thinking about small in this post-McMansion time. Idea of sepia toning is to evoke the past through an older technological frame while identifying its viability as a present trope.
Cheers, J

This is an image of a re-release of our music from the early '80's which includes all material recorded as Jeff and Jane in that time. Available through Dark Entries Records or on iTunes.

Phenomenal techno-thrill by the brilliant writer of Cryptonomicon, Snow Crash, The Diamond Age. Just blown away by it! Locate REAMDE here.


Tomschulzartist responds: I first met Jane Hudson fourteen years ago. I was a late-comer to grad school and she was gracious in pointing out to me that it didn't matter if I entered through the back door or the front door. Because there were no doors. She courageously challenged my artist's strategy of obfuscation. Well, evidently not all lessons take root.

I've been ruminating all week on the information that Jane sent. Looking for a connection, for a narrative.

I remembered when I was a kid and went fishing with my old man. Dad thought patience was something that belonged in a hospital, and not on a john boat. When his line got tangled (and his line always got tangled) he would pull and curse and smoke. Eventually he handed the muddled mess off to me. I learned to cajole and coax the ten-pound test like I was the freakin' mono-filament whisperer. That skill set serves me well here at empathinc.

Four things of interest. Then I saw it: the gift in the information was that I was allowed to discover my own connections. I wasn't told what to see. What freedom! Instantly all the shiftings from one time to another time, irretraceable cultural mores and digressions, skittering viabilities and evocative sustainabilities relaxed into nothing less than Ariadne's yarn.

Vernon Howard said that, "If you switch on the light in a dark room, it makes no difference how long it was dark, because the light will still shine. Be teachable. That is the whole secret.”

Fourteen years, and she's still telling me secrets.

On Oct 28, 2011, at 1:59 PM, Jane Hudson wrote:

Hope I didn't overwhelm. Did as you asked, and I await your response. Will you let me know when you do, or should I subscribe?
J

Overwhelm? Are you kidding? That's my brier patch.
I'll let you know, but subscribing is always nice.
T

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Jane, for Responding to the Call.
Cheers, Tom.

"Call and Response: Melinda Schwakhofer."

“One must not always think so much about what one should do,
but rather what one should be. Our works do not ennoble us;
but we must ennoble our works.”
Meister Eckhart


THE CALL: send 2-4 pieces of evidence.
It could be images of your work, work you like, things you find interesting.

MELINDA SCHWAKHOFER'S RESPONSE:

"Persona"

I am an artist who likes to put my personal signature on everything that I do. I may or may not be an artist in the conventional sense of the term, but I have a sense that my identity is, in some respect, my own creation. I am acutely aware that my persona is a construct – something which has been created and can thus be re-created. Some of my current work is about exploring persona via mask making - who do I show to the world and who/what is concealed behind my mask?

"PlayDough"

I make art from a wide range of media encompassing fibre, photographs and video, food. In the creative moment, I hope to bring something beautiful and good into existence. Not afraid to explore the darker side of life, I may endeavour to bring good out of evil, hope from hopelessness, meaning from absurdity, and to save what appeared to be lost; or at least make a darn good loaf of bread.

"Malvhina"

On a recent trip to Malvern, England, I came across a fountain, Malvhina by sculptor Rose Garrard. The design of the female figure, sculpted in stone and bronze, has a triple theme incorporating elements representing the three springs that supply the spout, the three roads that meet here and the three most important periods in Malvern`s history, - the ancient Celtic origins, the coming of Christianity and the growth of the town in Victorian times. Malvern spring water flows from a bronze disc where three circles interlink symbolising the sacred triple of the Celts and the Christian Holy Trinity.
Melinda Schwakhofer
www.inspiraculum.co.uk

Tomschulzartist responds: I first came across Melinda and her work in a circuitous fashion. I was surfing photographs of labyrinths on the web and was taken by a particularly lovely image. Playful shiftings of light and sheen across a delicately mottled pattern. Fascinated, I blew up the image and declared, "Hey, that's one of my labyrinths." I scooted to her blog ('my world' as she phrases it), Inspiraculum. Posted a note, and sure enough, it was the Myers Park Baptist Church labyrinth, completed in 2005. It's a darn good story.

I visit Melinda's world often.

I remain intrigued with Schwakhofer's ability to literally weave a tapestry of made and found objects and observations, and having not seen the evidence of her efforts in actuality have come to view her blog as a specifically coherent work of art. So when she shares with us that she may not "be an artist in the conventional sense of the term", I had the thought, "Well, who among us is?" Convention is ephemeral. Convention is fashionable, or political. Art (especially when removed from the wall and pedestal) is communication. The drive to wind out a conceptual thread and share the great mystery of discovery.

Perusing the evidence of Melinda's response, I'm reminded of a wonderful defining statement from R. Buckminster Fuller (himself a most unconventional artist). Fuller said, “I live on Earth at present, and I don’t know what I am. I know that I am not a category. I am not a thing — a noun. I seem to be a verb, an evolutionary process – an integral function of the universe.” ”
Which (of course) is An Other way of saying, "I am acutely aware that my persona is a construct – something which has been created and can thus be re-created."

And that's darned good living.

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Melinda, for Responding to the Call.
That is a darn good-looking loaf of bread. Tom.

Above: "Alexandra", Oil on primed paper, Tom Schulz, 2001.

"Call and Response: Daniel de Wit."

“Your head’s like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune’s all we are.”
Grant Morrison

Daniel de Wit's Response:

Hey Tom, thanks for the compliment. Anything i've done is cool for you to use, you can make my submission all about sound if you'd like, but I'm trying to get away from being pigeonholed completely into sound. however if you'd like to make everything focused to work in the broader sense, that's great too. All of my stuff with the band is still in the weird prenatal stage, so I can't really send you anything in that respect.

Daniel de Wit is a musician, artist, and designer currently based in Brooklyn, New York. He is a member of the Rock & Roll band Dirt City Magic. He can be contacted by writing dd@danieldewit.com

THE EVIDENCE:

LISTEN:
"Urban Beatscape No.1" by DanieldeWit

"Energy Collision"

:LOOK:

"Intuit Cyborg Tissue Sample"

WATCH:
"Occupy Wall Street October 5th, 2011: Gathering at Foley Square and March to Wall Street"

Tomschulzartist responds: I have recently taken to not
listening to music while I work, ending a decades long practice. It had to do (at first) with a sodden Ipod and the associated elements of both liquidity and funds. But then it became a choice. My head is generally populated by a convocation of conversations, and the music shut the doors to the convention center. In altering that one habit, in flinging the doors open to that inner dialogue, I came to understand Evelyn Underhill when she wrote, “We will not enjoy peace until we enter into the wild strange place of Silence.”

The wild strange place of Silence.

Through my association with Daniel, I have become much more aurally observant. And that has greatly enriched my existence, from taking in a movie to taking in a walk. But I also watch him experiment. Music, sound, performing, drawing, writing. Taking chances. So much focus in contemporary pursuits has been placed on. Well, on being focused. In the world of Art, diversification may actually be a necessity. I look at de Wit's work and I ask myself, "Am I taking chances? Am I still capable of taking the Young Person's risk?" If I can look at another artist's work and get all jazzed about getting back to my work? Then I'm gonna say, "Yeah."

And that's just sound thinking.

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.

Thank you Daniel, for Responding to the Call.
Hey, Tom.

"Call and Response: Fred Levy"

“The result of the struggle between the thought and the ability to express it, between dream and reality, is seldom more than a compromise or an
approximation. Thus there is little chance that we will succeed in getting through to a large audience, and on the whole
we are quite satisfied if we are understood and appreciated by
a small number of sensitive, receptive people.”
M. C. Escher (1898-1972), On Being a Graphic Artis

Fred Levy's Response:

"Here are 4 photos from my tumblr blog. This blog is a creative outlet of things that I see on my day to day outings. Many of these photos are taken using my iPhone and taking a new look at the things I am passing by. Too often my head is down as I focus on getting from point A to point B. This is an attempt to look at the points in between.
Always happy to collaborate with you.
See ya,
Fred Levy, Photographer
617-458-1095
www.fredlevyart.com
thedogparkbook.blogspot.com
www.facebook.com/FredLevyArt

THE EVIDENCE

Iphone ART #106

Iphone ART #102

Iphone ART #096

Iphone ART #106

Tomschulzartist responds: I have worked hard all of my life. Sometimes I have worked hard for other people and sometimes for myself – just because I wanted to. Working hard for your self is not just about being self employed. Although I have been self employed most of my adult life. Maybe that was a deliberate choice. Maybe I just stumbled into that reality. Or maybe I couldn’t get along with (my) perception of authority.
But, that is another discussion altogether.

What I mean by working for myself is all about joy. About choreographing effort. About the process of doing that which I refer to as real work. Real work is not confined to altruistic effort. Real work is not just defined as proper or helpful, though if all goes well, these aspects are a part of real work. Real work is all about crossing the boundaries of the ‘have to’ into the land of the ‘want to’.

I refer to this as transgressing the mundane.

I think that is what Fred Levy does in this series of Iphone images. He is making a conscious effort to recognize that which he might ordinarily hurry by unnoticed. In recording those marvelous moments, Levy sends each of us an invitation: transgress the mundane. Participate fully in the day to day. Expand the moment into its myriad lyrical infinities.

While comprehending both the conveniences and pitfalls of a Cause and Effect existence, here at empathinc. we prefer to live in a Call and Response Universe. This series is an exploration of that space.
Thank you Fred, for Responding to the Call.
See ya, Tom.